BigHit Music Wants to Unmask the X Account That Leaked ARIRANG

BigHit Music filed in US federal court to subpoena X for the identity of an anonymous account that leaked BTS's ARIRANG before its March 20 release.

April 14, 2026
BTS

ARIRANG spent three straight weeks at No. 1 on the Billboard 200. It broke Spotify records on day one. And someone on X leaked songs, lyrics, concept art, and album cover images weeks before any of that happened. BigHit Music wants to find out who.

On April 9, BigHit Music, the HYBE subsidiary that serves as BTS’s label home, filed an ex parte application in the US District Court for the Northern District of California seeking permission to subpoena X Corp. for the identity of the anonymous account @jwngkcck, which operated under the display name “BTS ARIRANG LEAK.” The account allegedly distributed unreleased material from ARIRANG in early March 2026, roughly three weeks before the album’s official March 20 release. BigHit’s goal is to use the identity to pursue a civil lawsuit in South Korea for copyright and trade secret infringement.

The legal mechanism here is worth understanding. BigHit filed under 28 U.S.C. § 1782, a federal statute that allows a foreign litigant to obtain evidence from a US-based entity for use in foreign legal proceedings. US-based social media platforms like X and YouTube are only subject to subpoenas issued by US judges, which is why HYBE routinely turns to American courts when it wants to identify and sue anonymous internet users in Korea. K-Jewel 99.3 FM South Korean courts simply don’t have jurisdiction over X, which is incorporated in Nevada and headquartered in Texas. As Reuters reported, the process is specifically designed for gathering evidence for foreign court proceedings evaluated under foreign law, not US law.

If the subpoena is approved, X would be required to produce all access logs and time zone data associated with the account from January 1, 2026, through the date of response, as well as any contact information linked to the account’s financial details. There is also an urgency factor beyond typical litigation timelines: HYBE’s Head of Global Legal Affairs, Claire Shin, noted in a separate declaration that South Korean telecommunications companies purge identifying user data after 90 days under company policy, creating a narrow window to act before the trail goes cold.

BigHit’s filing framed the stakes of an album leak in commercial terms that go beyond simple piracy. “BTS and other prominent music groups invest extensive resources into planning and executing the most effective release of albums, songs, lyrics, and associated material as possible, so as to have the greatest possible impact on potential listeners and the market when the media are released,” the label’s lawyers wrote. “Unauthorized leaks severely undermine these efforts, destroying the excitement and anticipation for hearing never-before-released songs and causing substantial economic and reputational harm in the process.”

The account’s biography claimed it had “not violated any rules, no copyright, following all @x’s rules.” Its posts have since been deleted and its display name changed following copyright infringement reports submitted to X. As Digital Music News reported, X is not cooperating proactively, which is precisely why the court subpoena is necessary.

This is not the first time HYBE has deployed this approach. The company previously used the same 28 U.S.C. § 1782 statute to reveal the identity of an anonymous X account, @webelieveinbots, which had posted over 3,000 tweets since March 2025 containing allegedly defamatory statements accusing HYBE/BELIFT LAB of pressuring artists to participate in political events, mistreating artists and executives, deleting evidence, and covering up abuse. That ex parte application was granted in September. Music Business Worldwide The company has used the same route to unmask users spreading false rumors about NewJeans, SEVENTEEN, and TWS, making this a well-worn legal pathway for the company rather than a novel response.

 

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The leak case is running alongside a separate but equally aggressive legal front. On the same day, HYBE, BigHit Music, and HYBE America filed a complaint in the US District Court for the Middle District of Florida against unnamed John and Jane Does ahead of BTS’s US tour opening at Raymond James Stadium in Tampa on April 25, 26, and 28. The filing seeks a court order authorizing HYBE agents and law enforcement to seize counterfeit BTS merchandise from anyone found selling it in and around the venues before, during, and after shows. HYBE cited successful seizures under identical orders obtained during BTS concert dates in 2019 and 2021.

The broader industry context matters here. According to MIDiA Research, expanded rights revenue covering labels’ participation in merch, live, and branding grew 21.5% in 2025. Music Business Worldwide As that revenue stream has grown, so has the incentive to counterfeit. Live Nation subsidiary Merch Traffic filed a similar trademark infringement lawsuit on behalf of Bruce Springsteen & The E Street Band, asking for a temporary restraining and seizure order ahead of their April 20 show in Newark Digital Music News, suggesting coordinated anti-counterfeiting litigation is becoming standard industry practice ahead of major tours. The supreme court’s recent piracy ruling and the federal government’s AI streaming fraud crackdown both signal a broader enforcement environment in which labels are finding more legal traction in protecting digital and physical assets simultaneously.

The musixmatch Sentinel platform, which launched earlier this year specifically to detect and flag pre-release music leaks across social platforms, reflects how seriously the industry is now investing in leak prevention technology alongside legal remediation.

Together, the two BigHit filings show a label operating on multiple fronts simultaneously: protecting the integrity of its releases in the digital space and defending its commercial interests on the ground. The chart performance of ARIRANGsuggests the leak did not derail the album. The legal pursuit signals that BigHit intends to make sure the person responsible doesn’t walk away clean regardless.

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